I tried sending this ages ago but apparently it never went through. It was a direct response but now fits others questions on the same subject.

The whole whose it about bit w/songs doesn't work for me that much as in whether a line or whatever was inspired by a particular person or situation doesn't mean that in the end that's what or who the song's about.

I could be working with clay and think of someone or something and somehow that could inspire me to take the work in a different direction at the moment but in the end it could just be a nice vase.

I often wonder where the people who inspired so many songs are now and why it's only important with some songs such as Layla as opposed to others. I'm guessin' a fair # of beautiful love songs or otherwise were inspired by some that the artists and public might consider now or in hindsight to be the opposite of how they are depicted or allegedly represented.

With Sorry.. like a lot of the material is drawn from a lot of different situations. The main focus on the boards w/the track seems to be either Slash or "the fans" (and the collective of "the fans" is another thing that doesn't work for me) and is much too restrictive or narrow and limits what I feel I intended.

For me it's for anyone talking nonsense at mine and the public's expense and that many of those as well as the public don't know who to believe.

Also where possible I'd like to give people the opportunity to get what they can from the material for a while before clouding that with my inspirations. Of course that's not always avoidable.

Also is it just me that's struggling with the imagery of Axl sat at his comp in his Malibu house answering questions on CD.com?

Ides Of March, Oklahoma, Atlas Shrugged,  Oh My God, Silkworms , Down By The Ocean (Izzy), Leave Me Alone, Seven , The General , Thyme , Quick Song , Zodiac Most all titles subject to change w/out warning and r considered working titles.

No plans on tour setlist as of now.